John le Carré and Louis L'Amour have more in common than I expected. Both write vivid, memorable characters, and both take a moment to say something true about people.

Was he rich or poor, peasant or priest? Where had she got him from? The incongruity of the match was emphasized by Lady Ann's undoubted beauty, its mystery stimulated by the disproportion between the man and his bride. But gossip must see its characters in black and white, equip them with sins and motives easily conveyed in the shorthand of conversation.

— John le Carré, Call for the Dead

Aside from the presence of Nita Riordan and the fact that he had killed Tetlow’s son, Kilkenny’s sympathies were with the small ranchers, the men who were building homes rather than empires. For one man to grow so large as Tetlow meant many men must remain small or have nothing. The proper level lay between the two extremes, and this was the American way.

—Louis L’Amour, Kilkenny